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Digital Urban Survey: Moving to a .Com or .Org?

By blogger, digitalurban, surveymapper

Its been over five years now and with a series of new project such as TalesofThings, SurveyMapper and the Masters Course in Advanced Spatial Analysis and Visualisation the blog is looking like it might need a new home.

We have three choices at the moment, one is to move to a .com – digitalurban.com is sadly taken by a name holder who wants $600, so that’s out. However, we do have the option to move to digital-urban.com. The second is to embrace the nature of digitalurban and make it a .org. The domain digitalurban.org was very kindly purchased and passed on to us by the nice people at the Redfish Group in Santa Fe. The final choice is to leave things as is and carry on regardless with .blogspot.com.

Any changes we make will not affect your bookmarks or links as Blogger allows a quick and easy way to change domains but keep the system. The only direct change will be all the ‘retweets’ will jump back to ‘0’ as they are tied to the direct link.

As such we thought we would throw the question open to you, the readers. The survey will only take a couple of seconds to complete and it will also help us test out the ‘world mapping’ system over at SurveyMapper which is about to enter open Beta.

So .com/.org or leave it as is: http://www.surveymapper.com/response.aspx?id=30

Thanks a lot if you do take part, it all helps us shape the next stage of digital urban.

Digital Urban Survey: Moving to a .Com or .Org?

By blogger, digitalurban, surveymapper

Its been over five years now and with a series of new project such as TalesofThings, SurveyMapper and the Masters Course in Advanced Spatial Analysis and Visualisation the blog is looking like it might need a new home.

We have three choices at the moment, one is to move to a .com – digitalurban.com is sadly taken by a name holder who wants $600, so that’s out. However, we do have the option to move to digital-urban.com. The second is to embrace the nature of digitalurban and make it a .org. The domain digitalurban.org was very kindly purchased and passed on to us by the nice people at the Redfish Group in Santa Fe. The final choice is to leave things as is and carry on regardless with .blogspot.com.

Any changes we make will not affect your bookmarks or links as Blogger allows a quick and easy way to change domains but keep the system. The only direct change will be all the ‘retweets’ will jump back to ‘0’ as they are tied to the direct link.

As such we thought we would throw the question open to you, the readers. The survey will only take a couple of seconds to complete and it will also help us test out the ‘world mapping’ system over at SurveyMapper which is about to enter open Beta.

So .com/.org or leave it as is: http://www.surveymapper.com/response.aspx?id=30

Thanks a lot if you do take part, it all helps us shape the next stage of digital urban.

Yesterday’s Objects: The Death and Afterlife of Everyday Things – June 4th

By social life of objects, talesofthings, Talks


Autopsies Research Group Study Day
Friday, 4 June 2010, UCL (University College London)

Roberts G08 Sir David Davies Lecture Theatre [campus map]

Sponsored by The Film Studies Space: The Centre for the Cultural History of the Moving Image

This event is free and open to all.


To register for the study day, simply send a email to deadobjects@gmail.com

Yesterday’s Objects: The Death and Afterlife of Everyday Things is looking like a must attend event and best of all, its free. The day is part of the Autopies Project, exploring how objects die and we are talking about TalesofThings and giving a live demo in the 3-4.30 session.
Just as the twentieth century was transformed by the advent of new forms of media–the typewriter, gramophone, and film, for example–the arrival of the twenty-first century has brought with it the disappearance of many public and private objects that only recently seemed essential to ‘modern life.’

Responding to recent work in cultural history, spatial studies, and ‘thing theory,’ this stuy day reflects on the ends of objects, raising questions of modernity, obsolescence, memory, collecting and recording. How can critical theorists and cultural historians participate in the reflexion on the ends of objects—from their physical finitude to the very projects for their disposal, the latter increasingly of concern with the multiplication of things that do not gently decompose into their own night?

This study day on ‘Yesterday’s Objects’ will investigate the everyday objects—the fridges, typewriters, and jukeboxes—that have irrevocably changed our lives. Invited papers will explore how these objects have refashioned and reimagined our work, home, and leisure spaces.


“Yesterday’s Objects: The Death and Afterlife of Everyday Things”

Friday, 4 June 2010

9 a.m. Coffee and Welcome

9:30-10:45, Session One, Chair, TBA
Keeping Yesterday’s Objects: Museums and Collections

–“Video Game Culture- Making the Same Mistakes With a New Medium”
Mark Carnall, Curator, Grant Museum of Zoology and Comparative Anatomy, UCL

–“Status Anxiety, or Missing the Pictures: Film Performativity in the Museum Space”
Jenny Chamarette, Department of French/Fitzwilliam College, University of Cambridge

11:00-12:30, Session Two, Chair, Jann Matlock, UCL
Lost Objects/Objects at Risk

–“Mourning in the Age of the Digital: Memory, Loss, and Materialist Filmmaking”
Martine Beugnet, Film Studies, University of Edinburgh

–“Slide Tape: An Abandoned Technology”
Mo White, Fine Art, Loughborough University

–“Documents of Barbarism: Saving the Comic Book as Symbolic Object”
Ernesto Priego, Department of Information Studies, UCL

12:30-1:30 Lunch Break

1:30-2:45, Session Three, Chair, TBA
Filmic Afterlives

–“The Brave Little Toaster from Print to Film: Obsolescent Appliances and Capitalist Allegories”
Margaret D. Stetz, Women’s Studies and Humanities, University of Delaware

–“Godard’s Dictations: The Histoire(s) du cinéma and the Erasure of Memory”
Kriss Ravetto-Biagioli, Film Studies, University of Edinburgh

3:00-4:30, Session Four, Chair, Lucia Vodanovic, Media and Communications, Goldsmiths
Dead Object Crises and Telling Things

–“The Temporality of Waste”
Will Viney, Humanities and Cultural Studies, The London Consortium

–“Vinyl Farewells?”
Richard Osborne, Popular Music, Middlesex University

–“Tales of Things: Memories, Stories and Archives of Everything”
Andrew Hudson-Smith, Centre for Advanced Spatial Analysis (CASA), UCL

4:30-5:45, Round Table: Yesterday’s Objects
The Autopsies Research Group in Discussion

6-7 p.m. Drinks Reception, Location TBA

Seeing is Believing: New Technologies for Cultural Heritage – June 9th

By Posts

We are slightly biased on this one, as we are involved, but – 9 June,
13:30-19:00 Seeing is Believing: New Technologies for Cultural Heritage at University College London looks like an afternoon worth attending.

The organization of, and access to, cultural and humanistic resources presents particular problems because of the diversity of material and the uniqueness of many individual items. Issues of natural language and the semantic complexity of resources add to the mix and provide many challenges for those working in this field.

Despite this, there has been an upsurge in the cultural resources available on the web and many collections of this kind are becoming available. The programme will provide an opportunity to hear about current work with texts, archives, objects and museum collections, from both a theoretical and an implementation standpoint, and to look at a variety of approaches to the material.

There is also a focus on user contribution and the way in which Web 2.0 can offer solutions.

Programme

13:30 Registration
14:00 Welcome from the Chair
14:05 David Arnold: Shaping Up: 3D Documentation and Knowledge in Cultural Heritage
This talk will describe current research targeted to make 3D documentation a practical alternative for Cultural Heritage organisations and cover topics such connecting shape to metadata and the need to interpret the semantics of shape. The talk will also describe some of the challenges that the research faces in the quest to empower the mass digitisation and widespread 3D dissemination that the aspiration demands.
David Arnold is Professor of Computing Science at the University of Brighton. He has been chair of programme committees for VAST, for CHIRON (Cultural Heritage Informatics Research Orientated Network), and coordinator of the EPOCH Network (Excellence in Processing Open Cultural Heritage).
14:45 Andy Hudson-Smith: Tales of Things: Archiving and Viewing the Cultural Heritage of Everything Tales of Things is part of a research project called TOTeM that will explore social memory in the emerging culture of the Internet of Things. Researchers from across the UK have provided this site as a platform for users to add stories to their own treasured objects and to connect to other people who share similar experiences. The system allows any object to be tagged via qrcodes and rfid labels, making it suitable for use by museums, exhibitions, artists and the public at large. The talk explores the project to date and discusses the implications of being able to archive and write memories to everything.
Dr Andrew Hudson-Smith is a Senior Research Fellow and Research Manager at CASA , he is Editor-in-Chief of Future Internet Journal, an elected Fellow of the Royal Society of Arts and Course Founder and Director of the MRes in Advanced Spatial Analysis and Visualization at University College London. He also runs the digitalurban blog.
15:30 Tea/coffee break
14:45 Melissa Terras: Crowdsourcing Cultural Heritage: UCL’s Transcribe Bentham Project Crowdsourcing – the harnessing of online activity to aid in large scale projects that require human cognition – is becoming of interest to those in the library, museum and cultural heritage industry, as institutions seek ways to publicly engage their online communities, as well as aid in creating useful and usable digital resources. UCL’s Bentham Project has recently set up the “Transcribe Bentham” initiative; an ambitious, open source, participatory online environment to aid in transcribing the 10,000 folios of handwritten documents by the philospher and legal reformer Jeremy Bentham (1748-1832) that are currently in UCL special collections. This paper will explore how crowdsourcing can be used, the myths and pitfalls in using crowdsourced effort, and the features that computer applications need to provide, in the context of the development of the Transcribe Bentham project.
Dr Melissa Terras is Senior Lecturer in the Department of Information Studies at UCL, working in the area of humanities computing. She is also deputy director of the newly formed Centre for Digital Humanities. Her doctoral work on the machine analysis of the Vindolanda tablets was ground-breaking in its field, and image interpretation continues to be one of her research specialties.
16:45 Fiona Romeo: [Title to be confirmed] Fiona Romeo is Head of Digital Media at the National Maritime Museum and Royal Observatory, Greenwich. Her department is responsible for the museum’s website and digital marketing, mobile learning, interactive exhibits, and collections digitisation. Fiona is also chair of the Citizen Science Alliance, a collaboration of scientists, software developers and educators who collectively develop projects that further scientific research and the public understanding of science.
17:30 Sascha Curzon: eMuseum Network – a path to Linked Data eMuseum Network is a search and collaboration platform designed and hosted by Gallery Systems. The project enables member museums to share their collections catalogues and to search and export data across all participating collections from a single access point, in a share-and-share-alike fashion. This presentation will give an overview of the project and how Gallery Systems plans to provide to
provide a path for museum to participate in the Linked Data Initiative.
Sascha Curzon is European Technical Manager at Gallery Systems; he has an in-depth knowledge across a broad range of domains including databases, programming, project management and client services. He has been technical lead on numerous system implementations at museums all over the UK and Europe.
18:00 Wine, nibbles and networking (served at UCL cloister)    

VENUE: University College London
Christopher Ingold Chemistry Lecture Theatre [to be confirmed]Christopher Ingold Building, Ground Floor
20 Gordon St, London, WC1H 0AJ [directions] [UCL street map]

FEE: £ 20 (ISKO members and students FREE)

BOOKING: www.iskouk.org/cultural_heritage_jun2010.htm

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